How Markiplier Made a Movie Hollywood Couldn’t Ignore | Edited Transcript
Markiplier explains how he self-financed and directed Iron Lung, expanded it to 4,700 theaters, earned $51–52 million, and used creator–audience trust to challenge Hollywood distribution.
CHAPTER TIMESTAMPS
00:00 Introduction: Markiplier, Iron Lung, and the creator–Hollywood convergence
01:11 Why Markiplier made a theatrical feature after 15 years on YouTube
03:44 Iron Lung’s real budget, $51–52 million theatrical run, and expansion to 4,700 theaters
05:24 Why audience trust—not subscriber count alone—converted into ticket sales
07:23 Self-reliance, creative doubt, and controlling the frame
10:04 How Iron Lung is being sold through YouTube Movies
11:15 Returning the film to YouTube and making the path easier for other creators
14:11 Production lessons: pre-production, problem-solving, and communicating with specialists
16:26 How Markiplier processes acclaim, criticism, and the film’s flaws
18:36 The YouTube–Hollywood convergence still depends on respecting audience time
21:36 What Markiplier watches and why he values the process more than the result
23:30 Why comedy creators can translate their instincts into horror
24:36 Making memorable work: the emotional design of Unus Annus
27:58 Another movie is coming—but first, rest and planning
28:30 When and where Iron Lung is available on YouTube
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Full video:
Mark Fischbach explains why he self-financed and directed Iron Lung, how the film expanded to roughly 4,700 theaters and earned about $51–52 million theatrically, why creator–audience trust mattered to its release, and what he learned about production, collaboration, horror, and making work people remember. YouTube executive Tim Katz also explains how the film is being distributed transactionally through YouTube Movies.
TRANSCRIPT
[00:00–02:58]
Colin Rosenblum:
Our guest today is Mark Fischbach, better known as Markiplier. We sat down with him and YouTube’s Tim Katz at the Fox Studio Lot in Los Angeles in front of over 650 creators during our event, Press Publish LA, the Hollywood Creator Summit. We threw this event because we are at a true convergence moment right now between YouTube and Hollywood, and we couldn’t think of a better person to sit down with than Markiplier. He’s a YouTuber in the truest sense who uploaded his first video to the platform over 15 years ago. But more recently, he made headlines after self-financing, directing, and starring in his indie horror film, Iron Lung. The success of the film turned heads in Hollywood and it marked the beginning of a new era for creators. We get into what this moment on YouTube means, what it takes to go from YouTuber to filmmaker, and what the future of Hollywood may look like now that creators are getting involved. Before we get into the conversation, I just wanna say a big thank you to YouTube for coming in as a title sponsor for Press Publish LA. We’ve been on YouTube for 16 years, so having them back this event and believe in what we’re building was truly a full circle moment. They brought out a ton of their team members to help answer questions from creators. They had sessions about the future of YouTube, and they helped us surprise everyone in the room with Markiplier.
Colin, Samir, and Mark:
Mark, you’ve been on YouTube for a very long time. You recently made a movie. Yes. Iron Lung. Yes. A lot of chatter in this town about that movie. Good chatter? I think so, right? Can you talk to us a bit about the decision to make a movie after 15 years on YouTube that feels overwhelming to me? Although I’m someone who has always wanted to make a movie, I feel like my comfort is in making YouTube videos. How do you jump from making videos on YouTube to making a feature film?
Mark Fischbach:
You probably start by taking smaller steps. There’s this... Man, there’s this barrier, right? A movie. It’s very special. It’s prestigious. And they’re right, they’re right, even if I’m kind of mocking that right there. But if I’m gonna be taken seriously in one way or another, I have to make a movie at some point that appears in theaters. I knew that. I don’t do much strategy, but that’s probably the first part where I was just like, okay, if I wanna make bigger things in the future, I have to at least make a movie so they can be presented on an even playing field from everyone else’s productions and they could take me seriously as an artist. Because I had made YouTube originals before that. I had two with A Heist with Markiplier and In Space with Markiplier, and those were big. One was nominated for an Emmy. I lost, please. But it’s even those were considered like YouTube things. Even though I know the production for In Space with Markiplier was bigger than Iron Lung by a lot. It was like 300 and something pages that I wrote. There’s like 89 videos, six and a half hours of content. Bigger set, bigger crew, more cast. It was bigger in every way than Iron Lung,
[02:58–05:24]
Mark Fischbach:
but it wasn’t as focused. I wanted an idea that I could make that was extremely focused so that it would have the best chance to put forward the artistry of the people on the crew that I know were of a certain level of skill. And then it was gonna be the culmination of what I had learned up until that point, making short films and then the YouTube original projects. And then I was like, okay, if the time is now, which it was, I need to make this and I need to have an idea for it. So I foolishly thought that a single location horror movie would be an easy way to get into it. It was definitely not.
Colin and Samir:
That feels like a classic trope for all creators. I feel like Colin and I were like, that’s not hard. Every idea sounds easy. That’s really simple. We’ll do that really quick. Yeah, yeah. And it’s always a beast.
Samir Chaudry:
So Iron Lung was very successful and started being talked about all over. And the last numbers I saw, you can tell me, but the last number I saw was it cost close to 3 million and did 50 million in revenue.
Mark Fischbach:
I would say all things considered. Oh, oh yeah. Oh, yeah. Oh, yeah. He hasn’t said the real number. Yeah, it could be way less. It could be totally different. You jumped the gun. Yeah. All things considered, you know, it was probably just under five, I think, I’m not sure where the three came from, but you know, the publications ran with the three and I was like, okay, fine. But I would say it’s like just under five, all things considered. And then yeah, it made, it’s theater run like 51, close to 52 million. And then it’s just about to launch on YouTube for their movies platform actually this weekend. So that’ll be good.
Samir Chaudry:
And how many theaters did it end up running in?
Mark Fischbach:
We stopped counting after a while. And that sounds like you could just do like, oh, we’re so big, I can’t count that high. It was like, it got over 4,600. And then when it went international, there were certain subcontractors who were distributing it in their specific regions. And so the website that we had that was keeping track of it after a while is like, oh man, because it’s adding to some, removing from others. And so we just kinda landed around 4,700.
Samir Chaudry:
As the number continued to grow, it really illuminated to me how up for grabs potentially theaters were. Oh yeah. I don’t think I understood that you could ride that wave into more theaters like that just coming from YouTube. And I think it would be easy to look at the success
[05:24–07:53]
Samir Chaudry:
of Iron Lung and go, okay, yeah, he’s got almost 40 million subscribers, he gets millions of views, he’s been on YouTube for a while. Sure, that’s why it did well, but I think there would be a lot of creators with a similar audience who might even make a similar quality of movie that I don’t think would get people in theaters the same way.
Mark Fischbach:
Possibly. It really depends on the creator. And I think that’s the special thing about YouTube is the relationship that the creator has with their audience is unique. I’ve cultivated my YouTube channel to be very much about my creative journey. I’m learning things and I’m trying things and I’m failing at things, but I’m doing it in front of my audience all the time. There’s tons of other YouTube creators that do things where it’s like, I’m literally learning XYZ this weekend, I’m making a video about that. It’s less about that it’s more me trying to find creative fulfillment and chasing this dream and addiction of making things, which I think all of us creators in one way or another are addicted to some part of the cycle. Some people are addicted to the end result where the audience gives feedback. I’m addicted, thankfully and horrifyingly, to the worst part where I’m pulling all-nighters and I’m working really hard on something that I don’t think I can do. Cause I’m addicted to the feeling of overcoming that doubt, right? I entered YouTube coming from a very doubtful place at a really low point in my life. And so the first bit of that addictive cycle started when I realized, oh, I can make something and it’s mine and it showcases what I can do. And so that has always been what I chased and thankfully there’s been people that resonate with that idea and I’ve just been able to carry it through. This is a natural result of that same thing of making a YouTube video. I don’t think that there’s all that much difference from a technical perspective of making a movie versus a YouTube video, it’s just the scale with which it is done and the margin of error with which your skills have to be good enough to succeed at, right? But it’s the same thing on a general concept.
Samir Chaudry:
Can you talk more about that? Cause when I watched Iron Lung, I felt that because at its face value, if you pitched me like, hey dude, there’s a movie that I wanna make, it’s a dude in a metal tube reading dials for two hours.
Mark Fischbach:
I’d be like, Mark, I don’t know, man. There’s an ocean of blood too, that’s it. In an ocean of blood, that’s my bad.
Samir Chaudry:
But when I wrote down in my iPhone notes in the movie, I was like, just wrote the term self-reliance
[07:53–10:04]
Samir Chaudry:
because I felt like you were, you did the whole project with the energy of self-reliance where you financed it yourself, you directed it, you wrote it, you did everything yourself, but you also control the frame yourself. And when I watch one of your YouTube videos, I feel like you’re one of those creators who you can just flip a camera on and control the frame, even down to the fact that your thumbnails are a lot of times just your face, which is what pulls in millions of people just to go, I wanna see this guy in a frame. Is that what you mean by there are similarities to like you knew you could step in and just control the frame?
Mark Fischbach:
That’s a more eloquent way than I would put it, yeah. I think when it comes to trusting that I could be in that role and be commanding enough to be there, it also comes with the doubt of like, I don’t wanna do a bad job. And I’ve found that if I put myself in the position where I’m at that intersection of I’m egotistical enough to think I can do it, and then also I am self-aware enough to be like, oh, I don’t wanna suck at it, that cultivates the most self-improvement. It’s the most drive to learn the skills that you need to do, even if it’s completely panic inducing and you feel like you’re heart racing, trying to desperately get enough to make it seem convincing. Yeah, that is what YouTube is. It’s this intersection of ego and desire and doubt. And I feel like all of us feel that going on screen, getting in front of camera and making a video is a very difficult thing. It opens yourself up to a lot of judgment. But no one’s gonna judge me harsher than I judge myself. So if I can do that and overcome my own doubt, then nothing else would really matter to me. And that’s been my guiding star going forward. It’s just, I believe in myself enough to make up for the shortcomings that I know are there.
[10:04–12:34]
Colin Rosenblum:
Tim, I wanna ask you about what it means for the movie to come out on YouTube, because that’s kind of new, right? We talked about shows a little bit, funded by brands. Mark, your movie was very much lifted up by the community. What’s the future of independent film on YouTube? And specifically, even this film coming to YouTube.
Tim Katz:
Yeah, we’re obviously thrilled that he’s gonna distribute it. And it’s gonna be on a transactional basis. So you can actually, as a user, purchase the film on the platform, which is not new to us. We’ve seen actors like Aamir Khan in India distribute his film very successfully on YouTube in the same way after becoming a creator. But I think for me, the magic is that we have so many different ways that we can monetize on the platform now. So we talked a lot about ads earlier, but we have YouTube Premium, we have channel memberships, we have shopping, we have brand deals, we have transactional, on and on and on. There’s over 15 ways that you can monetize on YouTube now. And some of them are via advertising, and some are direct from your audience. And I think the thing that Mark does so powerfully is that connection with his audience. So it feels like a perfect fit for him to have that direct connection, and that is the business model for this.
Samir Chaudry:
Mark, do you have any expectations moving forward now of how you want the rest of the Iron Lung story to play out now that it’s coming out on YouTube? And then the next step after that is the next potential movie.
Mark Fischbach:
I mean, I have this problem where I’m always thinking of the next project before I’m done with the first. So in a lot of ways, when the movie came out in theaters, I went, oh, it’s done. Oh, finally, I can forget about that. And it’s still working on it and still releasing it. And I realized in the Hollywood system, that’s very much about it. They treat the movies as like these pillars of IP, and they need to make sure it has a life cycle and it sustains. But that’s also very different from how YouTube operates. It’s like when YouTube, you make a video and it’s done. And for all of its flaws, it’s up there for everyone to see forever. And once you delete it or it gets taken down or something. And then, but even then, you know, I know people still have archives sitting on their own computers or there’s secreted away things where people can, so even if all the intention in the world is to get rid of it, it’ll still stick around. And I feel like all I’m thinking of is how I can move forward with the lessons that I learned from this one. And how can I use this opportunity to try in a tiny or big way to make it easier
[12:34–14:33]
Mark Fischbach:
for other people to do the thing that I just did? Because that’s also extremely important to me. As I’m getting older and I’ve been on YouTube for a long time, I see more and more the results of the years that people have been putting into YouTube and the skills that they’ve built. The overall skill I think on YouTube as filmmakers and videographers is so much higher than the very beginning of it, which makes it difficult to get into it, but also the wealth of knowledge and the paths being paved. Like what you said, 15 ways to monetize. More than even know what all those are. That’s crazy. But that’s great because that’s what people need. So when I’m bringing Iron Lung exclusively to YouTube, it just makes sense because that’s my home and that’s what I care about the most. For all of YouTube’s flaws, there are some. But I also have been a big defender of YouTube because I believe it’s still one of the best platforms for anyone to get started on their content, creation journey. Like you have obviously TikTok and Instagram, you have various other social medias to get audiences and you can cultivate it there, but they don’t have 15 tools for monetization. They don’t have a wealth of knowledge in the community to learn from, to collaborate with, and they don’t have the consistency that I think YouTube can offer. Even an entry point of like the filmmakers that wanna release their short films on YouTube, which I think they should because it’s just a showcase for them to put their talent out into the world and discover the other people that are like-minded enough to believe that they can do these projects. So there’s so many avenues for opportunities for people to get on YouTube. I’m just like, how can I help with that?
Samir Chaudry:
You mentioned there sharing and taking the lessons from how Iron Lung was made and you essentially made it in some ways like a YouTube video in that you filled the majority of the roles of writing, directing, acting. What are some of the lessons you learned from doing it that way, releasing it the way you released it that you’ll take to the next project?
[14:33–16:56]
Mark Fischbach:
More pre-production is always better. You can’t have enough pre-production. The ability to problem solve is probably the most important director skill you can have because there will always be problems and there will always be things when the writing meets reality and it’s not quite working. The ability to learn enough of every aspect of the process so that you can talk with the people who are better than you will ever be at those parts of it because as much as, I appreciate it’s helping my ego a lot of things, I did it all. But there were still like 100 other people on the crew all lending their skills and I will never be as good as them at their departments. I’ll never be able to make those kind of practical effects, the costume choices, the set design. I know some VFX but not all. But I know enough about all those processes so that I can communicate effectively with the rest of the crew. Knowing how something works makes it so that you’re not asking them something that’s impossible, right? And that’s the biggest lesson that YouTubers can have when they’re interfacing with other crews is like, you may be really good at what you do. They’ve been doing that one thing for as long as you have been doing it sometimes longer and that can give you an incredible advantage if you can then communicate with them enough that you can get them on the same page with the imagination in your head, right?
Colin, Samir, and Mark:
And so I forget what the question was, what was the question? Yeah. Was that the question? I actually don’t know. Was that the question? It was lessons and takeaways. Lessons and takeaways. Yeah, that, what I said, the thing that I did. So being able to communicate better. What’s your experience of the reaction? Like, is it this, like you’ve been on YouTube for 15 years. Like, do you still have the feeling of the one of 10 and 10 out of 10? Like, when you get a 10 out of 10, are you like, like for me, I like craft my resume and see where I could get a job because I think it’s all over. I’m not even joking. I get like super anxious. Things going that bad, huh? It’s a real, I think we’re going that bad. Yeah, yeah. These are all hired actors. But like the reception is like crazy of this film. And obviously the numbers are very big and a lot of people were talking about it. What was your experience of it succeeding in the way it did?
[16:56–18:36]
Mark Fischbach:
Like I said before, like I’m my harshest critic. So I have this, a bit of a superpower on YouTube is where I don’t really care about any negative comments or stuff, it doesn’t affect me very much because they don’t know me, right? The counterpoint is that is I also don’t really care if someone says a lot of praise or something like that because they also don’t know me. I have looked at the project everywhere. I know every flaw. I know everything that’s wrong with it. I know the parts that make me cringe still to this day. And I know the lessons that I will take from that and move forward. So the response, my only goal, my only goal when it came out was I said I wanted it to be at least one person’s favorite movie. And I think I got that. It’s at least one freak out there. It’s a favorite movie. They love the blood. And I think that that simplicity of that is made me make a project that is at least committed to the original idea unique enough because there were a lot of constraints and the concessions that I had to make for my own desire to get a shot outside of the sub or do anything other than be in that sub. But it’s like that’s not what the story is. That’s not what the game is. And so being in that box, I knew I was gonna run into things that my skills weren’t good enough to succeed at or at least what I thought they weren’t. Still made a movie at the end of the day. Just like we still make a YouTube video at the end of the day. And we have to post at some point and thankfully it got out there and people really resonated with what I was trying to say and the deeper meanings I was trying to lace into it where I could. And so that’s the kind of response that I really, really appreciate.
[18:36–21:36]
Samir Chaudry:
I’d be curious to hear from you considering you’ve been on YouTube for so long. What you make of this moment on YouTube now and this convergence of YouTube and Hollywood considering you’re at the center of it. And there are some creators that we’ll hear from today who make what you feel like could be on TV or could be in theaters, but they distribute it on YouTube. And I think when I watch your channel, some of what I love about it is that one of your most recent videos, what happened to Iron Lung, you start and you’re in this film set up with a mic and then about 40 seconds in you cut. And you’re like, I was a little too angry in that section. All of a sudden we’re watching you at a webcam in your hotel room and you’re like, I’ll just finish the video from here. It has 4 million views and 10,000 comments. And like that to me is YouTube, just the I will do whatever I need to do to get a camera up and talk to my audience. But that’s very different than some of what we’re seeing on YouTube in this moment.
Mark Fischbach:
Yeah. I think that it is important, more important now than ever to remember that it’s the audience that makes everything possible. That it’s very easy to forget that there are people behind the numbers. The convergence that a lot of this happens is a convergence of business, right? It’s because business needs to operate for some larger things to happen. That’s the unfortunate reality of everything. But the core tenet of all of it is that there are people watching. One person is dedicating their time and time is the most valuable thing we have. And yet they’re giving up time to watch this random crap that you’re putting out there. And so you have to remember that that is an exchange. You’re giving them something for their time. Even if it’s sometimes it’s money coming in for a product or a movie or something like that. But most of the time it’s time. And I wanna make sure that when I do anything, no matter the scale of it, no matter how many things are moving, it’s the people. One person’s time is just as valuable as another’s. And if you remember that, you’re gonna make better decisions going into the future of what you should do with this idea that you have in your head. I remember what you said at the center of it. And I don’t think I’m at the center of it. I think that this week, especially as a good example of it, there’s tons of other YouTubers that are making cool projects. And I think that I was not the first and I will not be the, hopefully not the last. But if I have to be, I’ll be the last. If I’m the last person on the hill going like, yeah, yeah, YouTube is still good. everyone can make stuff on here. I think that that’ll be cool. But it’s like the better story is that there’s so many other people that are doing exactly what I did or something similar and they’re having success with it. And I believe that that is inspirational for other people. And inspiration is the most valuable currency that we could have. And if I can exchange that time for a little bit of inspiration on their side to push them to do something else, then that makes it all worth it in my mind.
[21:36–23:30]
Samir Chaudry:
What’s inspiring you right now on YouTube? What are you watching?
Mark Fischbach:
I’m watching garbage on YouTube. I’m not watching it. I watched like, so I’ve been playing Factorio recently. So I’ve been watching like Factorio builds and stuff like that. I have no idea. Yeah, it’s nothing. You don’t know Factorio? Well, I can do it. Anyway, do you guys know what Factorio is? Okay. We got this. Yes! There are dozens of us. Anyway, so, and then I’ve been watching a lot of like GoPro review videos because they’ve got a new camera coming out. I’m just like, why don’t they give me one? Please. Anyway, that’s a whole other story. What inspires me, I guess not very much right now, but that’s because I feel pretty satisfied with what I have. And there’s a lot on my plate. I guess what I just said, the other people that are making movies and having success is super inspiring. That’s incredibly heartwarming. I love that. I love seeing other people succeed. I’ve had plenty of success. I often think that I don’t need anymore, but I just keep chasing other projects and they happen to work out and that’s cool. But even if it didn’t, I’d be fine with that. I didn’t make a penny on the other projects that I did before this. None of my short films made any money. The YouTube originals definitely didn’t make any money. Not any fault of yours. It’s just the way that it was. It was a YouTube Original and you put it out there for the world. But it didn’t matter to me. It didn’t matter that it didn’t have success. So even if the next one doesn’t make as much success or is as financially beneficial, it doesn’t matter because it will be the application of the lessons that I learned from the previous thing going into the future. And if it happens to be better received and if it happens to find a larger audience, that’s great. If it doesn’t, that’s great too. I’m still gonna take the lessons from that and apply it to the next thing because again, I’m addicted to the cycle of making, not necessarily the cycle of getting results. Yeah.
[23:30–25:20]
Samir Chaudry:
Do you have a perspective on why sketch comedy creators having so much success in indie horror? Like if you look at Curry Barker and Obsession.
Mark Fischbach:
Comedy and horror are very closely related to oversimplify. It’s like one’s a surprise that’s harmless and one’s a surprise that could kill you. But they’re both like, you know, generally, I’m not saying jump scares one thing or another, but it’s, you know, things that are out of the ordinary and they kind of go along the same route. But I think generally horror is an accessible thing. There’s a wide audience and there’s room for error. Comedy, there’s actually very little room for error because if it’s not funny, it’s not enjoyable. But horror, if it’s not scary, it can still kind of be enjoyable. There’s plenty of B horror movies out there that aren’t particularly scary or well made that people will still watch. On the other side, you know, there’s not really many bad comedies that people would bring friends to, you know? So they’re weirdly related, but I think the stakes are in some way lower with horror. So maybe.
Samir Chaudry:
One thing I love about all the projects you do is I find them to be very memorable. You know, you made a channel for a year called Unus Annus that you deleted. It was ephemeral. That was a really unique project that I remember and especially because of the scarcity of it. We’re in this moment right now where people are making so much content. Colin and I have called this the abundance era. There’s so much out there. But you seem to find ways to make things that people remember things that are meaningful to people. What’s your advice to the creators in the room? I think that’s what we all wanna do. We wanna make something that people feel and that they remember that sticks in their mind. What’s your advice to creators to do?
[25:20–27:58]
Mark Fischbach:
I’d say, it’s like what you just said. The feeling’s more important than anything. With Unus Annus, it was about a feeling. In my past, I’ve lost friends, I’ve lost family members, I think we all have. And that’s not a fun feeling. It’s not a feeling that we want to experience a lot, but it’s a feeling that’s extremely important. Unus Annus was in a way, an exercise in letting go. Like letting something go was kind of the point of it. Or knowing that something was going to go and there’s nothing you could do about it but making the most of the time that you had when it was there. That’s the feeling. And it was a unique project because we put so much effort into the channel that we were going to delete. For those who don’t know Unus Annus, was a channel I made with Ethan and my wife Amy and other people that helped us out, Evan and a ton of other people. But it was a project that we announced and then said we were gonna delete it in one year. Unus Annus is Latin for one year. And then at the end of it, we did delete it. And to make it as special as possible, we made a video every day. And that cycle was very difficult because it was a live action random challenge video. Sometimes we did sketches, we did this whole mockumentary for it. We put so much effort into it. And it was more valuable, which made it more heartbreaking to let go of it. And that feeling, if we wanna chase that feeling, we have to understand all aspects of what makes that feeling mean something. It’s harder to lose something that you care a lot about. And so we have to make people care about it. And so we made videos that were as entertaining as we possibly could. We made the exercise of audience coming to the channel be a habit that they could form. And then the looming deadline of it dying was always gonna be there. And so that resulted in an incredible final live stream. We had 1.7 million concurrent viewers all at the same time watching us delete it. And that was after a, oh, thank you. All right. It was, was anyone here for that live stream? That was a few people. Yeah, there were a few people who were there for that livestream. And it was so incredibly special. And it was so meaningful. There’s been so many people that got tattoos of the logo. It really resonated and it landed in a way. That might be the best artistic project I’ll ever make in my entire life, I think. I’m wearing this shirt even today. Oh, nice. There it is. I love that. Nobody wanted to clap though. I’ll clap for that.
[27:58–29:43]
Samir Chaudry:
What do you think? Are you going to make another movie?
Mark Fischbach:
Oh, yeah. That’s obvious. I’ll make other things too. I’ll make whatever catches my attention I’ve got. But I promised my wife I wouldn’t make anything for a little bit. I’m going to, just in the planning phase, because it was three years of working on things. I turned my bathroom into a render farm. I’m turning that back now. And we were able to take our honeymoon, which was great. And then just taking some time to relax before diving back into it.
Samir Chaudry:
So when does Iron Lung hit YouTube?
Colin, Samir, Mark, and Tim:
This weekend. This weekend. Actually, weirdly enough, it’s going to release a little early. I said the 31st, but it’s coming out actually like noon Pacific the 29th. That’s tomorrow. That’s tomorrow. Cool. All right, so you guys can watch Iron Lung tomorrow. Yes. So functionally, you go to your channel and then you can purchase it? You have to go to the movies. You go to the YouTube movies channel. YouTube movies. It’ll be there. That’s where you purchase it. You can watch in living room or watching your phone anywhere. But I’ll make an announcement. It’ll be like a link in the description. I think there’s some kind of shelf feature that also works. Yeah. So it’ll be pretty accessible. Have you already made the video announcing that it’s available on YouTube? No. You’ll make that today. I’ll make it. Make that when you go home. That’s in the trailer. Yeah, something like that. Well, seriously, Mark, I think you said something about inspiring others. I can’t tell you how much you’ve inspired Colin and I. And I’m sure a lot of creators in this room. So Mark, thank you so much for being here. Thank you very much. I appreciate it. Tim, thank you so much for joining us. Thank you guys. I appreciate it. Thank you. Thanks, Colin. Thanks so much. One more time for Markiplier and Tim Katz.
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